Size: size US8 for shoulders and bust, graded to a size US10 at the waist.
Alterations: I didn't use the 7-panel skirt of the pattern and opted for a gathered skirt with in-seam pockets.
Fabric: locally purchased viscose
WHOA. Two weeks without blogging. That hadn't happened in a while. I find it a bit silly to apologize since this is not a job for me and I'm sure you have plenty of other sources of entertainment, but still, I hope you missed me a little bit, because I was sure starting to miss my little space here.
Anyway, I'm back with a very, very happy dress!
I finally got around to make the Anna dress by By Hand London (which means that no, Sallie, you weren't the last one in the blogosphere!). Just like the name we share, this dress is very understated and lady-like. And just like my name, I wasn't completely in love with it at first glance. It was very beautiful, but was it a good match for me?
It took a few years of my life to accept the name my parents had chosen for me (I was actually supposed to be named Caterina, they tell me) and it took me a few posts from loving bloggers (especially from Roisin, no surprise there) to really fall in love with this dress.
And now I want a hundred versions of it! But let's speak of the one I've already made...
First of all, I had a bit of a freak-out when I traced this pattern. Marie came to my help on Twitter (thank you!) and I quickly realized I was seeing things... I blame it on the thin paper this pattern is printed on, which is the only thing I dislike about the otherwise gorgeous By Hand London packaging.
The first muslin I made was a practically perfect fit, I didn't even had the gaping at the back neckline that most people who blogged about this pattern seemed to have. If I'll ever make a V-neck version, I'll probably have to go back and make a FBA on a smaller size to avoid a gaping front neckline, but for the high neckline, it was perfect.
Then, I probably started seeing things again while cutting the fabric, because when I finished stitching the bodice and tried it on, I realized I had about an extra 10cm to remove. I seriously could not believe my eyes. I tried the muslin on again and it was still perfect, so I have no idea what happened. The fabric I used for the muslin is a teeny bit heavier than this viscose, but not so much as to justify a 10cm difference.
Maybe the fabric is haunted? I bought it at a fair and the guy who sold it to me told me it was salvaged from a warehouse destroyed by a flood. Jeez. But it was sooo inexpensive, and drapey, and the print was gorgeous... Maybe it came with a price? Just kidding. I hope.
Anyway, since I had French-seamed the sides, I ended up taking all the excess from the back seam. Not the proper way to go, but it worked, and with the dark fabric you don't really notice that the back darts are too close to the zipper. There's some gaping left at the neckline, but I'll live with that.
Anyway, I'm really in love with this pattern now, and not only can't I wait to make more Annas, I also really want to try the gorgeous Elisalex dress.
In conclusion, after mentioning my own name so many time in this post, I urge you to pleeeease click here and listen to the Italian pronunciation of the name "Anna" (unless you're German, then it's practically the same), just for the sake of it. It always makes me smile how differently it's pronounced in French- and English-speaking countries, so different from what I'm used to :)
WHOA. Two weeks without blogging. That hadn't happened in a while. I find it a bit silly to apologize since this is not a job for me and I'm sure you have plenty of other sources of entertainment, but still, I hope you missed me a little bit, because I was sure starting to miss my little space here.
I finally got around to make the Anna dress by By Hand London (which means that no, Sallie, you weren't the last one in the blogosphere!). Just like the name we share, this dress is very understated and lady-like. And just like my name, I wasn't completely in love with it at first glance. It was very beautiful, but was it a good match for me?
It took a few years of my life to accept the name my parents had chosen for me (I was actually supposed to be named Caterina, they tell me) and it took me a few posts from loving bloggers (especially from Roisin, no surprise there) to really fall in love with this dress.
First of all, I had a bit of a freak-out when I traced this pattern. Marie came to my help on Twitter (thank you!) and I quickly realized I was seeing things... I blame it on the thin paper this pattern is printed on, which is the only thing I dislike about the otherwise gorgeous By Hand London packaging.
Then, I probably started seeing things again while cutting the fabric, because when I finished stitching the bodice and tried it on, I realized I had about an extra 10cm to remove. I seriously could not believe my eyes. I tried the muslin on again and it was still perfect, so I have no idea what happened. The fabric I used for the muslin is a teeny bit heavier than this viscose, but not so much as to justify a 10cm difference.
Maybe the fabric is haunted? I bought it at a fair and the guy who sold it to me told me it was salvaged from a warehouse destroyed by a flood. Jeez. But it was sooo inexpensive, and drapey, and the print was gorgeous... Maybe it came with a price? Just kidding. I hope.
Anyway, since I had French-seamed the sides, I ended up taking all the excess from the back seam. Not the proper way to go, but it worked, and with the dark fabric you don't really notice that the back darts are too close to the zipper. There's some gaping left at the neckline, but I'll live with that.
In conclusion, after mentioning my own name so many time in this post, I urge you to pleeeease click here and listen to the Italian pronunciation of the name "Anna" (unless you're German, then it's practically the same), just for the sake of it. It always makes me smile how differently it's pronounced in French- and English-speaking countries, so different from what I'm used to :)
